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My friend flicka book8/11/2023 ![]() I first read and loved the Flicka books when I was a girl of around Ken’s age, living in provincial England and going through a horsey phase. ![]() O’Hara, who was a successful screenwriter before she became a novelist, based the book and its two sequels, “Thunderhead” and “The Green Grass of Wyoming,” on her experience of running a ranch in Laramie County with her Swedish horseman husband, in the twenties and thirties. You’ll get the Monitor Weekly magazine, the Monitor Daily email, and unlimited access to McLaughlin-a dreamy, distracted, imaginative child who lives on a horse-breeding ranch in Wyoming-is the ten-year-old protagonist of “My Friend Flicka,” a children’s book by Mary O’Hara, first published in 1940. If you’re looking for bran muffin journalism, you can subscribe to the Monitor for $15. We’re about kicking down the door of thought everywhere and saying, “You are bigger and more capable than you realize. We have a mission beyond circulation, we want to bridge divides. We’re known as being fair even as the world becomes as polarized as at any time since the newspaper’s founding in 1908. We’re run by a church, but we’re not only for church members and we’re not about converting people. The Monitor is a peculiar little publication that’s hard for the world to figure out. And I’m going to argue that we change lives precisely because we force open that too-small box that most human beings think they live in. We’re the bran muffin of journalism.īut you know what? We change lives. We’re seen as being global, fair, insightful, and perhaps a bit too earnest. If you were to come up with a punchline to a joke about the Monitor, that would probably be it. Sometimes, we call things ‘boring’ simply because they lie outside the box we are currently in.” My work in Kenya, for example, was heavily influenced by a Christian Science Monitor article I had forced myself to read 10 years earlier. ![]() “Many things that end up” being meaningful, writes social scientist Joseph Grenny, “have come from conference workshops, articles, or online videos that began as a chore and ended with an insight. I tried to place the baby carriage.Then I had to turn and run.Ībout a year ago, I happened upon this statement about the Monitor in the Harvard Business Review – under the charming heading of “do things that don’t interest you”: I imagined Eisenstein instructing the dozens of extras, the Cossack soldiers, the young mother. I had to move fast.As I viewed the steps, I wondered about the history that had occurred there. And he had a friend.The next day, Sophia met us at the military checkpoint near her parents’ apartment inside the off-limits area. I bought an old yellowed postcard featuring the grand steps at a Sunday flea market instead.This trip I was determined things would be different.The steps are still off-limits, but Oleksandr Naselenko, who guides and supports Monitor reporters in Ukraine, had an idea: Residents living inside the restricted area couldn’t be prohibited from having visitors. For unexplained “security” reasons, the area near the site was closed. Last August, I’d tried, and failed, to reach the steps. But with an air raid siren wailing and a Ukrainian soldier ordering me back, I had less than 10 seconds to take it all in.My quest to see the steps had taken much longer than that.This was my second reporting trip to Odesa for the Monitor. In perhaps the most iconic moment, a mother pushing a baby carriage is shot, with her fallen body sending the carriage down the victim-strewn steps.Last week, I found myself at the top of the Potemkin steps. If the words “stairs” and “baby carriage” together leave you shuddering, you know what I’m talking about.In Soviet filmmaker Sergei Eisenstein’s 1925 silent film “Battleship Potemkin,” the 192 steps leading from the port are the setting for czarist Russia’s murderous repression of Odesans greeting the mutinous sailors of the film’s namesake ship. You don’t have to be a film connoisseur to know the Potemkin steps in the Black Sea port city of Odesa are the setting for one of cinema’s greatest scenes. ![]()
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